Twilight: How Does a Story Shape Reality?

You have to have noticed The Twilight Saga, regardless of whether you’re a fan. It’s been a phenomenon, with the four books topping best seller lists and the first two movies making over a billion dollars in revenue. Because of the global economy, it isn’t unusual for stories that speak to a large number of people to sell like this in world-wide release. If the story elements resonate, then books and films are embraced by millions of people. However, because of the huge response to stories like this, it becomes important to look at how they affect the structure of our reality.

There are two kinds of reality perceptible to the average person, that is: a personal consciousness and what is popularly called the collective consciousness. Everyone is aware of their own personal consciousness, what they think and feel and the sum of their experiences. However, the collective consciousness is something that comes to us by way of human society. It includes the shared beliefs and attitudes that unify a cultural group. There’s also a cultural “unconsciousness” proposed by Carl Jung, which is an inherited grasp of archetypes that allow us to decode and absorb cultural information.

In other words, elements from the collective culture infiltrate and inform the personal consciousness when they’re attached to archetypes. Twilight is built with archetypes: the innocent maiden, the handsome hero who saves her, the challenge of another suitor and the maiden’s choice. Besides this storyline, the suitors both offer a possible danger to the woman. The first is a vampire: the beautiful but cold creature whose soul is in jeopardy, and who wants to suck out her lifeblood. The second is the werewolf, the fevered man-animal barely under control who could kill in a second of anger.

That’s the structure of the story, but then what are the cultural elements that are attached and transferred along with it? Protagonist Bella moves to live with her father and go to high school in a small town in the American Northwest. After meeting the irresistible vampire Edward, she lies to friends and family about what she’s doing and where she’s going; she abandons her other friends; she allows Edward to spend the night in her bedroom without her father’s knowledge. After Edward tries to leave her, she engages in risky behaviors to hurt herself in order to convince him to pay attention to her. Edward and his family are rich, drive fast, sporty cars and live in a local mansion. Bella refuses to believe that Edward loves her as she is. She wants to be a vampire, too, so she can be beautiful and strong and perfect, so Edward will love her, and she pursues this goal throughout the story.

There’s no doubt that author Stephanie Myers has her finger on the pulse of young women. Because of the success of this story, it’s clear that it resonates with this segment of the population. However, Bella is a poor role model to serve for the cultural consciousness. She’s treating others badly and looking for a quick fix to her insecurities: the magical vampire’s bite that can make her immediately perfect. Where’s the part about Bella accepting herself, following the rules and setting goals for personal improvement? Where’s the part where she becomes strong and successful through her own hard work? Where is the part about responsibility? That might be better cultural information to pass along.